The Importance of Collaboration in Production Design: Insights from Bob Shaw and Alex DiGerlando
In a recent roundtable discussion focusing on the intricacies of production design for television, award-winning designers Bob Shaw (known for his work on The Gilded Age) and Alex DiGerlando (notable for Black Rabbit) highlighted crucial aspects of their craft, emphasizing collaboration and teamwork as essential components to successful production design.
During the conversation hosted by Gold Derby, both designers reflected on the unique challenges and rewards presented by their projects set against the backdrop of New York City. Shaw, a multiple Emmy winner and Oscar nominee, articulated the joy that comes from collaborating with various departments, stating, “Collaborating is one of the joys of the job. It’s gratifying. There are moments on the set when everything comes together…it’s magical.” DiGerlando echoed this sentiment, stressing the importance of understanding the dynamics of film language and each department’s role within the production process.
The discussion also explored how filming in New York has evolved over the years. Shaw noted that capturing period elements has become increasingly challenging due to changing city landscapes. From the proliferation of modern obstructions like concrete bollards and bicycles, to dealing with the impact of post-9/11 security measures, he explained that production designers often have to reverse-engineer designs to hide these anachronisms before establishing the desired visual narrative.
DiGerlando, who is currently working on a show set in the 1990s, described another layer of complexity: varying personal memories of the era. He pointed out that audience expectations often conflict with historical accuracy, necessitating intricate discussions about what can realistically be represented on screen. He emphasized how essential it is to create a cohesive environment that resonates with viewers while remaining truthful to the time period.
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When asked about hidden gems in New York City, DiGerlando recommended visiting 279 Water Street, known as the Black Rabbit, which he called the oldest wooden building still standing in the city. He pointed out its historical significance as well as its cinematic connections, including being featured in The French Connection and Kojak. Shaw, reflecting on the remnants of The Gilded Age, remarked on the loss of many grand mansions but reassured that many historical sites still exist, particularly on the East Side of Manhattan.
Both creators shared insights into what initially drew them to production design. Shaw’s background in theater sparked his interest in combining his loves for art and music through set design. DiGerlando expressed satisfaction in the hidden depths of editing and spatial creation, where different elements combine to form a singular narrative space.
As the interview shifted to whether they keep pieces from their productions, Shaw mentioned he had stopped collecting items over the years, while DiGerlando shared a more sentimental attachment. He revealed that he rescued a quirky chess-playing koala puppet from a Netflix show that was destined for disposal, as well as other artifacts, which he displays in a curio cabinet for his children to admire.
In a world where the built environment plays a crucial role in storytelling, Shaw and DiGerlando’s insights reveal the delicate balance of creativity, practicality, and teamwork essential to bringing vibrant narratives to life on screen.
