Quentin Tarantino is wrong about Paul Dano, but everyone is already telling him that.
For more than two decades, Dano has shaped one of the most quietly radical careers in American cinema. The 40-year-old actor first drew serious attention as a teenager in “L.I.E.” (2001), but it was “Little Miss Sunshine” (2006) that revealed the breadth of his gifts. He’s a performer capable of disappearing into a role, and dissolving into it entirely. Since then, he has built a body of work defined by characters who tremble at the edges of themselves.
Dano’s gift is not transformational in the traditional sense. It’s something stranger, more interior. He gravitates toward the emotionally frayed and unsettled, inhabiting them with an honesty that can feel almost invasive. His characters exist in states of tension. One moment, he is a gentle soul collapsing under the weight of unspoken longing and the next, he erupts with a fury so unexpected it forces the viewer to sit up straight.
Dano’s filmography reflects a keen eye for good taste. He has worked with directors who value precision and rigor: Paul Thomas Anderson, Denis Villeneuve, Steven Spielberg and Matt Reeves, to name a few. They understand what he has inside him. There’s intelligence, unpredictability and an ability to locate humanity in even the darkest corners of a character’s psyche.
His creative curiosity extends behind the camera. In 2018, Dano made his directorial debut with “Wildlife,” a delicate and devastating portrait of a family unraveling, starring Jake Gyllenhaal and Carey Mulligan — just another example of how his impeccable art runs deep.
In an era obsessed with celebrity, Dano has remained devoted to craft. And in doing so, he has become one of the most quietly extraordinary actors of his generation — an artist who elevates the films he enters, and deepens them.
Read Variety’s list of Dano’s 10 best performances.
Honorable mentions: “Looper” (2012); “12 Years a Slave” (2013); “Okja” (2017)
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‘Dumb Money’ (2023)
Image Credit: ©Sony Pictures/Courtesy Everett Collection
As Keith Gill, the accidental hero of the GameStop uprising, Dano offers a refreshingly grounded work. He doesn’t play Gill as a prophet or a rebel, but as a man who simply believes in fairness (what a concept). Moreover, in the possibility that the little guy might win. Dano avoids irony, instead locating sincerity in Gill’s upbeat videos and quiet moments with his family. It is a subtle but deeply effective turn.
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‘Prisoners’ (2013)
Image Credit: Warner Bros
Dano’s Alex Jones is a figure of tragedy. He’s a young man with the mind of a child, caught in a nightmare he doesn’t understand. His minimal dialogue is a source of ambiguity. The viewer remains unsure if he’s a victim, a monster or both. His smallness is emphasized against Hugh Jackman’s towering rage (a career best for him). The torture scenes are almost unbearable because Dano makes Alex’s fear painstakingly real.
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‘Swiss Army Man’ (2016)
Image Credit: Courtesy Everett Collection
This film should not work, but it does. One reason is that Dano commits with absolute seriousness to the absurdity of the writing-directing duo, the Daniels. As Hank, a suicidal castaway who finds purpose through his friendship with a flatulent corpse, Dano makes Hank’s desperation and yearning for connection feel universal. His chemistry with co-star Daniel Radcliffe is unexpectedly tender, grounding the film’s strangest moments.
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‘Ruby Sparks’ (2012)
Image Credit: ©Fox Searchlight/Courtesy Everett Collection
In “Ruby Sparks,” Dano dismantles the myth of the “dream girl” through Calvin, a blocked writer who conjures a woman into existence and then slowly destroys her with his unrealistic expectations. Dano plays Calvin with an aching vulnerability that shades into something darker. There’s a desire to be loved exactly as imagined. His chemistry with Zoe Kazan, who also scripted the film, creates an intimacy that makes the story’s emotional unraveling all the more painful. It is one of his sharpest, most self-aware performances.
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‘The Fabelmans’ (2022)
Image Credit: Merie Weismiller Wallace/Universal
Burt Fabelman is a man ruled by logic, and undone by emotions he cannot translate. With understated grace, Dano crafts a portrait of a father who loves but imperfectly, and whose devotion to problem-solving cannot protect his family from collapse. Under the direction of Steven Spielberg, his warmth never obscures Burt’s blind spots. Dano plays him with gentleness, melancholy and a quiet dignity that aches.
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‘Little Miss Sunshine’ (2006)
Image Credit: ©Fox Searchlight/Courtesy Everett Collection
As Dwayne, the mute teenager with existential dread, Dano delivers a turn defined by restraint — until it isn’t. For most of the film, his silence is its own language — expressed through flickers of the eyes, stiff posture and clenched frustration. His dream of escaping to the Air Force becomes a lifeline, but when it collapses during that devastating roadside breakdown after learning he’s colorblind, Dano explodes with grief that feels years in the making.
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‘L.I.E.’ (2001)
Image Credit: ©Lot 47 Films/Courtesy Everett Collection
At 16, Dano delivered a debut so assured it seemed almost impossible. As Howie Blitzer, he portrays a boy suspended between grief, isolation and the dangerous pull of an adult world he barely understands. His scenes opposite Brian Cox — who plays a predatory older man — are exercises in tension and psychological precision. Dano conveys Howie’s confusion and craving for connection without simplifying the character’s emotional landscape. It is an astonishingly mature performance, one that revealed immediately the fearlessness and emotional intelligence that would define his career.
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‘The Batman’ (2022)
Image Credit: Courtesy of Warner Bros/Everett Collection
Dano’s Riddler is a villain born of social rot — a wounded man who weaponizes his own invisibility. Dano builds Edward Nashton into a figure whose loneliness metastasizes into extremism. His masked video messages are delivered with unsettling cheer, while the interrogation scene with Robert Pattinson’s taped crusader reveals a childlike craving for validation buried in violence. He grounds the character in recognizable psychological despair, making the Riddler’s rage horrifying and disturbing. Strangely, even a bit empathetic. That’s the mark of a genius.
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‘Love and Mercy’ (2014)
As the young Brian Wilson of the Beach Boys, Dano captures the electricity of a genius hearing entire symphonies before a single note has been played. Dano’s careful study of Wilson’s mannerisms never lapses into impersonation. Instead, he delivers truth. Watching him in the recording studio, coaxing out the sounds swirling in his mind, feels like witnessing creation in real time. It is a soulful, haunting performance, and in time, could be Dano’s finest.
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‘There Will Be Blood’ (2007)
Image Credit: Courtesy of Paramount/Everett Collection
Dano’s work as Eli Sunday is volcanic, even when he whispers. Stepping into the role with little preparation after replacing another actor, he crafted a character who radiates insecurity, ambition and an almost pathological hunger for control. His high, tremulous voice and taut physicality make Eli an unnerving presence. He’s a creature of faith, fury and desperation. Across from Oscar winner Daniel Day-Lewis, Dano more than holds his own, especially in the now-iconic baptism scene, where Eli’s fragile authority shatters under Plainview’s calculated humiliation. An Oscar snubbed performance indeed.
